Dimple Lala doesn't know what to think. She's spent her whole life resisting her parents' traditions. But now she's turning seventeen and things are more complicated than ever. She's still recovering from a year-old break-up and her best friend isn't around the way she used to be. Then, to make matters worse, her parents arrange for her to meet a "suitable boy." Of course, it doesn't go well…until Dimple goes to a club and finds him spinning a magical web of words and music. Suddenly the suitable boy is suitable because of his sheer unsuitability. Complications ensue.
This is a story about finding yourself, finding your friends, finding love, and finding your culture—sometimes where you least expect it.
Dimple Lala is torn between the traditional life of her Indian parents and the desirable life of an adolescent young woman in the USA. Her choices are colorfully recounted by Marguerite Gavin, who reads with the rhythm of ankle bells and sitar in her soul. But the speed with which she pushes the story forth is too fast. Both the headlong force of the narration and the multiple mispronunciations are disappointing. The quality of Gavin's voice is most appealing, and her regional accents make the scenes picturesque. With a more attentive director and greater precision in pronunciation, this production would be improved. J.P. (c) AudioFile 2006, Portland, Maine
About the Author
Tanuja Desai Hidier was born and raised in the United States. She has worked as a filmmaker and a magazine editor. She now lives in England where she is the lead singer/lyricist in a rock band.
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